Oakstreet Art Conservation

X-rays in a Conservation Lab: Looking Into Our American Chairs

Conservation blog written for Fine Arts Museums of San Francisco website

June 24, 2015

Definitely Not Boring Brown: the Legion of Honor’s BVRB Writing Table

Conservation blog written for Fine Arts Museums of San Francisco website

November 13, 2014

Roccoco Drama: Dry-Ice Cleaning the Ormolu Mounts of the Augustus Rex Writing Cabinet. Wooden Artifacts Group (WAG) Postprints.

Based on paper given at the 42nd Annual Meeting of the American Institute of Conservation (AIC), San Francisco, CA. May, 2014.

Conservation of Photodegraded Asian Lacquer Surfaces: Four Case Studies. Coauthored with Shayne Rivers. Journal of the American Institute for Conservation. Spring 2015. Vol 54 No 1, pp14-28.

Peer reviewed article based on paper given at the international conference: Asian Lacquer Symposium 2013, Buffalo State College, Buffalo, NY.

‘X’ Marks the Spot: the Conservation and Correction of a Carlo Bugatti Chair.

Victoria & Albert Museum Conservation Journal. Spring 2011 Issue 59

The Effects of Consolidation on the Appearance of Powdery Pigmented Japanese Lacquer Surfaces. East Asian Lacquer: Material Culture, Science, and Conservation.

Archetype Publications: London. 2011. Peer-reviewed Bilingual English/Japanese article based on paper given at the international conference: Crossing Borders - The Conservation, Science and Material Culture of East Asian Lacquer. V&A, London, UK, October 2009.

Aqueous Cleaning of Photodegraded East Asian Lacquer: A Case Study.

Journal of the American Institute for Conservation. Spring 2009. Vol 48 No 1, pp51-67. Peer reviewed article.

An Exploration of Surface: Deciphering the History and Meaning of the Winterthur Peter Stretch Clock’s Finish. WAG Postprints from American Institute of Conservation (AIC) Annual Meeting, Richmond, VA. April 16-20, 2007.

Based on paper given at the 35th Annual Meeting of the American Institute for the Conservation of Historic and Artistic Works (AIC). Richmond, VA, April 2007.

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Oakstreet Art Conservation